Ancient History: The Undead Edition

Halloween is my favorite time of year for various reasons: Scary movies, costume parties, overloading on tons of sugary goodness.  But I am also reminded about the fact that many of our spooky superstitions–vampires, ghosts, and werewolves–have come to us from thousands of years ago.  That, in and of itself, is a little freakishly cool, don’t you think?  That people, thousands of years ago, living in Athens or Rome or Alexandria, had the same basic fearful ghouls that we shiver over today.  Compiled here in this post are a few examples from Classical, Jewish, and Christian sources that involve tales of the haunted, the horror-ible (See what i did there?  Horror+horrible! I’m so clever), the frighteningly cool.  Enjoy… if you DARE!  Muahahahaha!

The Walking Dead

“If thou dost not give me the Bull of Heaven, I will smash the doors of the Nether World, I will place those above below, I will raise up the dead eating and alive, so that the dead shall outnumber the living! (Ishtar to Anu, Epic of Gilgamesh, VI.94-100)

And this shall be the plague wherewith the Lord will smite all the people that have fought against Jerusalem; Their flesh shall consume away while they stand upon their feet, and their eyes shall consume away in their holes, and their tongue shall consume away in their mouth. (Zechariah 14.12)

The tombs also were opened. And many bodies of the saints who had fallen asleep were raised,and coming out of the tombs after his resurrection they went into the holy city and appeared to many. (Matthew 27.52-3)

Ghosts and Specters

 Disembodied now, I hover as a wraith over my mother’s head, riding for three long days upon the air, three hopeless days of suffering and fear since she left Troy and came to Chersonese. Here on the shore of Thrace, in sullen idleness beside its ships, the whole Achaean army waits and cannot sail. For Achilles’ ghost appeared, stalking on his tomb, wailing, and stopped the ships as they stood out for sea on the journey home. He demanded my sister Polyxena as a prize, the blood of the living to sweeten a dead man’s grave….On this day destiny shall take my sister down to death. Ah you, poor mother, you must see your two last children dead this day, my sister slaughtered and my unburied body washed up on shore at the feet of a slave. These were the favors I asked of the gods below—to find my mother and be buried by her hands—and they have granted my request. Now I go, for there below I see my mother coming, stumbling from Agamemnon’s tent, still shaken by that dream in which she saw my ghost. (Euripides, Hecuba 30-54)

Then the woman said, “Whom shall I bring up for you?” He said, “Bring up Samuel for me.”When the woman saw Samuel, she cried out with a loud voice. And the woman said to Saul, “Why have you deceived me? You are Saul.” The king said to her, “Do not be afraid. What do you see?” And the woman said to Saul, “I see a god coming up out of the earth.”He said to her, “What is his appearance?” And she said, “An old man is coming up, and he is wrapped in a robe.” And Saul knew that it was Samuel, and he bowed with his face to the ground and paid homage. Then Samuel said to Saul, “Why have you disturbed me by bringing me up?” Saul answered, “I am in great distress, for the Philistines are warring against me, and God has turned away from me and answers me no more, either by prophets or by dreams. Therefore I have summoned you to tell me what I shall do.”And Samuel said, “Why then do you ask me, since the Lord has turned from you and become your enemy? The Lord has done to you as he spoke by me, for the Lord has torn the kingdom out of your hand and given it to your neighbor, David. Because you did not obey the voice of the Lord and did not carry out his fierce wrath against Amalek, therefore the Lord has done this thing to you this day.Moreover, the Lord will give Israel also with you into the hand of the Philistines, and tomorrow you and your sons shall be with me. (1 Samuel 28.11-19)

 Prophets and Curses

 Germanicus’s conviction that he had been put under a spell by Piso aggravated the disease. They dug up the floor and the walls and found remains of human bodies in them, spells and binding curses, and the name of Germanicus inscribed on lead tablets, ashes half-burned and smeared with gore and the other evil devices by which it is believed that souls are devoted to the infernal powers. (Tacitus, Annals 2.69)

He went up from there to Bethel, and while he was going up on the way, some small boys came out of the city and jeered at him, saying, “Go up, you baldhead! Go up, you baldhead!”And he turned around, and when he saw them, he cursed them in the name of the Lord. And two she-bears came out of the woods and tore forty-two of the boys.From there he went on to Mount Carmel, and from there he returned to Samaria. (1 Kings 2.23-5)

 The Mummies Return

The old [Egyptian] woman, believing that she was now free of hindrance and was not being watched, first dug a pit and then kindled a fire on one side of it. She laid out the body of her son between the two and took a ceramic bowl from an adjacent tripod…. She cut her arm open, wiped up some of the blood with a laurel branch, and threw it into the fire. She did some other strange things in addition to these and then bent over the corpse of her son and sang some incantation into his ear. She roused him and compelled him to stand upright by her [witch]craft…. She was inquiring whether her remaining son, the brother of the dead man, would return home safe and sound.

The corpse made no reply, but just nodded, allowing its mother the insecure hope that the response was favorable. But then all at once he fell headlong onto his face. The woman rolled the corpse onto its back again and would not finish with the interrogation….

While the old woman was doing this Chariclea [the Greek ingenue] earnestly begged Calasiris [the Egyptian priest] that they should approach the scene of action and make an inquiry of their own…. He [Calasiris] declined; it was not holy, he said, even to watch the rite, but he suffered it under the constraint of circumstance. It did not befit a prophet either to attempt or to attend such rites. Prophets derived their divination from lawful sacrifices and pure prayers, but the impure and earthly actually derived their divination from circling around corpses, just as, by accident, they were now seeing the Egyptian woman do.

Calasiris was still speaking when the corpse muttered in a deep, ugly voice as if from a crypt or a craggy cavern. “At first I spared you, mother,” it said, “and I put up with you as you broke the laws of humanity, violated the decrees of the gods, and unfixed with your sorceries what was fixed. For, so far as possible, respect for parents is preserved even among the dead. But you abolish this of your own accord. No longer are you merely dabbling in lawlessness, as at first; now you push it beyond limit…. Hear now these prophecies which I have long been forbearing to reveal to you. Neither will your son return safely to you nor will you yourself escape death from the sword….” (Heliodorus, Aethiopica 6.12-15)

And as a man was being buried, behold, a marauding band was seen and the man was thrown into the grave of Elisha, and as soon as the man touched the bones of Elisha, he revived and stood on his feet. (2 Kings 13.21)

Demons and Underworldlings

When a plague fell upon the Ephesians, and no defense against it could be found, they sent to Apollonius, and made him their doctor for the disease…. Apollonius assembled the Ephesians and said, “Do not worry, for I will put an end to the disease this day.” Saying this, he led all the people into the theatre, where the statue of the Averter is now sited. there he found what appeared to be an old beggar contriving to squint…. He was dressed in rags and had a squalid face. Apollonius grouped the Ephesians around the beggar and said, “Collect as many stones as you can and throw them at this enemy of the gods.” The Ephesians were taken aback by this instruction, and thought it terrible to kill a stranger in such an unfortunate condition. The beggar himself was beseeching Apollonius and begging for pity, but Apollonius was insistent and urged the Ephesians to get on with the job and not let the man go. When some of the people began to pelt him with stones, the man who had been pretending to be squinting suddenly looked up at them and showed that his eyes were full of fire. The Ephesians then recognized that he was a demon and so they stoned him to death so thoroughly that they built up a heap of stones over him. (Philostratus, Life of Apollonius 4.10)

That same day, in the city of Ecbatana in Media, a woman named Sarah, the daughter of Raguel, was being insulted by one of her father’s servant women. Sarah had gone through seven wedding ceremonies with seven different husbands, but each time, before she and her new husband had gone to bed on their wedding night, he was killed by the demon Asmodeus. That’s why the servant had told her, “You’ve already been married seven times, and each of those times you have killed your husband before he could give you a son. So why do you strike at us because your husbands have died? Just go where they are! We hope you never have any children!” (Tobit 3.7-9)

 Large Beasts and Monsters

The moon was shining like the midday sun. We arrived among the tombs. My man went [to relieve himself - ed.] against a gravestone. I held back, singing and counting the stones. Then, when I looked back at my companion, he had taken all his clothes off and laid them beside the road. I almost died of fright, and I stood there like a dead man. He urinated a circle around his clothes and suddenly became a wolf. Don’t think I’m joking. No one’s inheritance is so valuable as to make me lie. But, as I’d begin to say, after he had become a wolf, he began to howl and ran into the woods…. But I drew my sword and hacked at shades, until I arrived at my girlfriend’s house. I was like a ghost when I got in, and almost bubbling out my final breath. Melissa expressed amazement that I’d walked there so late and said, “If you’d come earlier, at least you could have helped us. For a wolf got into the estate and among the flocks. He was draining the blood out of them like a butcher. But even if he got away, the last laugh was ours, for our slave managed to get a spear through his neck.” When I heard this, I could not even think of sleep, but when it was fully light I ran off home like the robbed innkeeper. But when I arrived home, my soldier was lying on his bed like an ox, and a doctor was attending to his neck. I realized that he was a werewolf, and I could not thereafter bring myself to break bread with him, not even if you had forced me on pain of death, Others can make up their own mind about this. But if I’m lying, may your guardian spirits exercise their wrath upon me. (Petronius, Satyricon 61-2)

Witches and Their Spell Books

Two friends from Arcadia who were taking a journey together came to Megara, and one traveller put up at an inn and the second went to the home of a friend. After they had eaten supper and retired, the second traveller, in the dead of the night, dreamed that his companion was imploring him to come to his aid, as the innkeeper was planning to kill him. Greatly frightened at first by the dream he arose, and later, regaining his composure, decided that there was nothing to worry about and went back to bed. When he had gone to sleep the same person appeared to him and said: ‘Since you would not help me when I was alive, I beg that you will not allow my dead body to remain unburied. I have been killed by the innkeeper, who has thrown my body into a cart and covered it with dung. I pray you to be at the city gate in the morning before the cart leaves the town,’ Thoroughly convinced by the second dream he met the cart-driver at the gate in the morning, and, when he asked what he had in the cart, the driver fled in terror. The Arcadian then removed his friend’s dead body from the cart, made complaint of the crime to the authorities, and the innkeeper was punished. (Cicero, Div. 1.57)

Manasseh was twelve years old when he began to reign, and he reigned fifty-five years in Jerusalem. His mother’s name was Hephzibah.And he did what was evil in the sight of the Lord, according to the despicable practices of the nations whom the Lord drove out before the people of Israel.For he rebuilt the high places that Hezekiah his father had destroyed, and he erected altars for Baal and made an Asherah, as Ahab king of Israel had done, and worshiped all the host of heaven and served them.And he built altars in the house of the Lord, of which the Lord had said, “In Jerusalem will I put my name.”And he built altars for all the host of heaven in the two courts of the house of the Lord.And he burned his son as an offering and used fortune-telling and omens and dealt with mediums and with necromancers. He did much evil in the sight of the Lord, provoking him to anger. And the carved image of Asherah that he had made he set in the house of which the Lord said to David and to Solomon his son, “In this house, and in Jerusalem, which I have chosen out of all the tribes of Israel, I will put my name forever.And I will not cause the feet of Israel to wander anymore out of the land that I gave to their fathers, if only they will be careful to do according to all that I have commanded them, and according to all the Law that my servant Moses commanded them.” (2 Kings 21.1-8)

 Vampirism

 “As such,” replied Apollonius, “you must regard this adornment, for it is not reality but the semblance of reality. And that you may realize the truth of what I say, this fine bride is one of the vampires, that is to say of those beings whom the many regard as lamias and hobgoblins. These beings fall in love, and they are devoted to the delights of Aphrodite, but especially to the flesh of human beings, and they decoy with such delights those whom they mean to devour in their feasts.”

And the lady said: “Cease your ill-omened talk and begone”; and she pretended to be disgusted at what she heard, and in fact she was inclined to rail at philosophers and say that they always talked nonsense. When, however, the goblets of gold and the show of silver were proved as light as air and all fluttered away out of their sight, while the wine-bearers and the cooks and all the retinue of servants vanished before the rebukes of Apollonius, the phantom pretended to weep, and prayed him not to torture her nor to compel her to confess what she really was.

But Apollonius insisted and would not let her off, and then she admitted that she was a vampire, and was fattening up Menippus with pleasures before devouring his body, for it was her habit to feed upon young and beautiful bodies, because their blood is pure and strong. (Philostratus, Life of Apollonius 4.25)

So Jesus said to them, “Truly, truly, I say to you, unless you eat the flesh of the Son of Man and drink his blood, you have no life in you.Whoever feeds on my flesh and drinks my blood has eternal life, and I will raise him up on the last day.For my flesh is true food, and my blood is true drink.Whoever feeds on my flesh and drinks my blood abides in me, and I in him.As the living Father sent me, and I live because of the Father, so whoever feeds on me, he also will live because of me. (John 6.53-7; I couldn’t help but to include this!)

(Fake!) Epitaph to Jesus

For my Historical Jesus class this semester, we were asked to create an obituary for Jesus through the lens of someone from the period.  We were given some examples which I felt were a little anachronistic (Osama bin Laden’s obit from the New York Times was one of them).  So instead of doing a modern obituary, I chose to produce an epitaph like those commonly found in the ANE around Jewish settlements in what was Judaea and also the Diaspora (in Egypt, for example).  I drew heavily upon the translations by Hurbory and Noy and lengthened it considerably; I also added a little academic analysis (though not comprehensive, obviously–I didn’t want to bore the professor).  It was tons of fun to produce and I had fun ‘analyzing’ the ‘inscription’.  Here is the “translation” and analysis (lengthened slightly from the original assignment)–it presumes that no New Testament writing survives:

———————————————

Necropolis near Nazareth: 1st Century CE. Epitaph on tomb; Bilingual (Greek text with Hebrew names).  Unknown scribe, commissioned inscription.

Inscription translation:

Hold! Passers-by!  Weep and mourn for the man in this tomb.  This is the tomb of the good man Jesus, only son of Joseph, of Nazareth.  He was taken down to the underworld in the 19th Year of Caesar Augustus.[1]  Look on this tomb, passersby, and beat with your hands thirty times for the thirty year old that has was snatched by Hades.[2]  For his mother, Mary, grieves for the loss of her son that pleased her, and had caused pain to none.  Grieving also are his companions, with whom he traveled, Peter, Mary, Judas, and John.[3]

For though he spread the news of the Lord, a path of righteousness and salvation, he was harassed by Death and woes![4]  Beset upon by the wicked, he was tempted, yet prevailed only to be met with a senseless end, to be hung on a tree![5]

[…] three days […] he will be raised […] unto the Lord![6]

O! All-subdoer, great Hades, why have you forsaken this man to his fate?  Hear me, wayfarers! Glory be given to the soul of the body with which they have placed in this tomb.  Though he was borne into a humble home, loved by all, and raised by his family to love the Lord, he found strength in the path of righteousness.  Majestically he traveled, never set to one place, teaching about the law as though a prophet.  To the tomb he went, as a man unmarried and chaste unto the Lord.

Weep for the dead Jesus, taken from his elder years by the wickedness of betrayal.  Set to earthly destruction for crimes he did not commit.[7]

Passers-by, speak softly when you go by of this tomb!  Do not disturb the stone walls or the sleeping dead within.  Rest now, Jesus, child of the Lord, untimely dead.  Grieve for those who are left behind. Farewell.

On behalf of Joseph the Arimathean, follower and friend of Jesus, lover of the Lord, who has commissioned this inscription, with those names of the community listed below.  Fortunate was the man, Jesus, who had companions such as these, though unfortunate in his demise.[8]


[1] “19th year of Caesar Augustus”, that likely is the 19th year of his reign, about 33 CE.  Information on 1st Century CE Nazareth is limited; not much archaeological evidence for the type of settlement in this period.  Likely a small village and scarcely populated.

[2] “Hades” (άδης); unlikely to have been incorporated at the behest of the commissioner of the inscription (see below), probably added by the scribe in place of Sheol (שְׁאוֹל). If incorporated by the original commission, it may imply that the group that associated with this figure Jesus wereat least slightly Hellenized, and that their sectarian views were developed, in part, through syncretism (see note 3 below).

[3] Given the rarity with which one includes so many individuals on funerary inscriptions (outside of the family names), it is likely these individuals were part of a sectarian group who held up Jesus as their sect leader.

[4] Death is here personified, similar to the Testament of Abraham in the Pseudepigrapha.

[5] “Hung on a tree”, perhaps indicative of Deut. 21.23, “…his body shall not remain all night on the tree, but you shall bury him the same day, for a hanged man is cursed by God.” This probably implies that he died by crucifixion, which might explain why the inscription bares the statement that his demise was ‘unfortunate’.

[6] This section is very badly damaged.  Unsure what the implications are of the phrase ‘he will be raised’ (ἐγερθήσεται).  Too many words obscured from the original inscription to make any clear indication of its actual meaning, though perhaps the translation is similar to the Hazon Gabriel, if one were to accept Israel Knohl’s translation: ‘to rise from the dead within three days.’

[7] “Crimes…” Possibly indicating that he was falsely accused of something that warranted ‘hanging from a tree”, i.e., crucifixion.  If this was indeed a sectarian leader, possibly associated with his teachings (maybe radical?) or with something he may have done or said against the Romans who occupied Judaea at this time.

[8] The list of names has been destroyed by time.  Likely Joseph of Arimathea was a follower of Jesus or a member of his sect; he must have been wealthy in order to commission such a large inscription.

UPDATE 10/3/13: No, Joe Atwill: Rome Did Not Invent Jesus

Note: Additional updates from 10/9 and 10/10 are below–scroll down to see them.

Apparently Joe Atwill has made a “documentary” of his book Caesar’s Messiah.

The Dead Sea Scrolls, ancient Jewish texts discovered in caves in Israel in 1947, give a different picture than the idyllic first century Holy Land of the Gospels. From year one, there were battles and confrontations between the Romans and the Jews, the Scrolls note, and there was no turning of the other cheek by the likes of rebel leader Judah of Galilee. And there was nary a mention in the Scrolls of the peaceable prophet Jesus Christ.

“This is where I came into Christian scholarship,” says Atwill, 63, an investor who lives by the proceeds of a dot-com sell off in the 1990s. “There was supposedly this character, Jesus, wandering around in Galilee. Nobody knew anything about him. Galilee is only 30 miles long. Jesus and other historical figures of the time would have known each other.”

Atwill, an admittedly bookish man, dived in headfirst, digging out whatever historical records he could find, studying the Scrolls, and reading Roman accounts, notably that of a family member of the Flavian dynasty of Caesars named Josephus. He found no historical Jesus in any of those writings. But there were some uncanny connections between the story of Jesus as told in the Gospels and the family of Roman emperors who took power after Nero was forced to commit suicide following a coup d’état.

I mean this is just golden cow scat. Seriously. Why? Because that is what you’re watching.

Let’s start with the blurb itself. Just the little snippet above should put anyone off from even considering this hypothesis.

  1. The Dead Sea Scrolls were not all written in the first century, but spread out over many. There are more than 200 years of texts here, from the terminus a quo of the earliest manuscript to the terminus ad quem of the latest (3rd Century BCE – 1st Century CE). So no, Atwill, you’re not going to find a match to the Gospels because these were written after the Dead Sea Scrolls had been hidden away in the caves of Qumran. In fact the site was probably destroyed by Romans during the First Jewish War–prior to when it is generally believed Mark wrote the first Gospel around 70 CE.
  2. The Gospels follow a pattern of what is called ‘Biblical Rewriting’ which was a common Jewish practice, just as ‘Homeric rewriting’ was common with Greek and Roman writers. So actually the Gospels fit quite well within the scribal framework of the Jewish community at the time.
  3. Why would the Dead Sea Scrolls mention Jesus when the settlement where these scrolls were probably written is over 130km (80 miles) away from Galilee? That is the distance between New York City and Philadelphia. Additionally, the sect at Qumran seems to have kept to themselves, living strict pious lives of obedience to god and to their laws. I do not believe them to have been Essenes–though probably quite close to them.
  4. Who else would have mentioned him? We have no contemporary attestation to anything from the 30′s CE from Galilee beyond archaeological finds (coins, epigraphical evidence, etc…). But that does not mean to suggest none existed from the region. Between the Jewish wars, the passing of time, we’re lucky we have anything from the region. This is a weak argument from silence.
  5. If you’re coming ‘into Christian scholarship’ from this position, you’re doing it wrong.
  6. Your argument that “Nobody knew anything about him” is incredible (Fixed!) since we have Gospels and epistles probably dating to the First Century CE. These may not have been accounts of what Jesus said and did, but they certainly demonstrate that a figure of Jesus was well-known to at least some people in the First Century.
  7. If you’re claiming to have ‘dived headfirst’ into the sources, does that mean you have a grasp of Greek, Latin, Hebrew, Aramaic, Nabataean, and Hebrew? What about just Greek–since you predominately use Josephus? I suspect that, given your book only has something like 7 footnotes and almost all of them are from Josephus, you haven’t quite managed to take into account all the sources.

Atwill then suggests the following hypothesis so centric to the thesis of his book:

Sometime in the mid 70s AD, Atwill suggests, Greco-Roman intellectuals wrote the now-well-known stories—in Greek, not the popular Aramaic of the Judaic populace—about the Jewish messiah who defied the Judaic traditions of militancy to preach a sweet, accommodationist message.

I’ll break this down too. What the hell.

  1. You’re not using ‘Greco-Roman’ correctly. (You keep using that word. I do not think it means what you think it means)
  2. Greek was commonly used by Jews in antiquity–Josephus, Philo, some of the authors of the Dead Sea Scrolls, various Jewish pseudepigrapha, the Maccabees (though maybe from a Hebrew original–uncertainty here), Jesus ben Sira (i.e., Sirach), various apocrypha (Tobit, for example–though maybe originally written in Aramaic, more uncertainty here). It depended upon their education and their level of assimilation which anyone familiar with the socio-cultural period of the Hellenistic-Roman periods would be able to explain easily. Atwill clearly has no grasp of these concepts, probably because he didn’t bother reading anything related to this despite his self-acclaimed ‘bookish-ness’.
  3. Jesus’ message in the Gospel is not new or anti-Judaic. In fact, it is quite Jewish (see anything written by James Crossley, for goodness sake).

All in all, Atwill proves he is incapable of taking this subject seriously–his not being a scholar aside, he completely misses the more logical argument to make from the Josephus-Gospel parallelisms, which also happen to be the same arguments made by Steve Mason in his now-famous work on Josephus and the New Testament: that either the Gospel authors or Josephus were using each other as intertextual references (I think it quite obvious that Luke had copies of Josephus, actually–a point Mason glosses over in a paragraph but never admits fully, but also what Richard Carrier argues here).

If you are planning to go see this movie, please, bring a disposable bag so you can properly rid yourself of the dung that undoubtedly will be thrown at you during the presentation.

**UPDATE 10-9-13**

Since this “documentary” first appeared, it seems that Mr. Atwill is again trying to profit off the ignorance of others. Now, self-styled as an ‘American Biblical scholar”, Mr. Atwill is peddling his book of lies and misleading theories to those in the UK. This nonsense does not deserve another post; but I will update this one because it can’t go along unopposed.

First, and let me be clear, nothing Joe Atwill has written is ‘conclusive’. In order for it to be conclusive, it would have to surmount all arguments against it. Unfortunately for him, he fails to grasp even basic knowledge about the subject. For example, he makes the rather bizarre claim that:

“In fact he [Jesus - ed.] may be the only fictional character in literature whose entire life story can be traced to other sources. Once those sources are all laid bare, there’s simply nothing left.”

Yet this is simply false. The Hebrew Bible is full of fictional literary characters whose entire life story can be traced to other sources. His hyperbole is bizarre. But even so, is Atwill seriously suggesting that fictional stories cannot be written about historical people or events? Wonder Woman is a highly fictionalized and heroicized literary figure inspired by an actual person, the creator’s wife, Elizabeth Marston. Wonder Woman meets Atwill’s classification as a “fictional character in literature whose entire life story can be traced to other sources.”

So it might be argued that maybe he was referring t ancient literature, but even then he is ignorant of basic figures that anyone with a minutiae of Classical education can speak upon. In ancient literature, the figure and legendary king of Sparta, Lycurgus, is entirely mythicized in literature yet may have been a real person (scholarship is split on this). The mythological tale of Gilgamesh, who we have no actual historical information on, is considered to be a historical figure and ancient king by most leading Sumerologists and yet his entire life story is one of our earliest extant written sources and one of our earliest written myths period. The biographies of Plutarch are propagandist fantasies of his about the lives of historical people like Alexander the Great (mixed in with purely fictional figures like Romulus).

This should be enough to make my point; Atwill makes claims that cannot be supported when those with some basic knowledge of the subject explore the claims further. This is a serious flaw in Atwill’s work. He makes claims but doesn’t seem to realize how ridiculous they actually are; it is that scholars find his work “outlandish”. It is just plain wrong. I mean it is still crazy talk, but it is more that his whole premise is wrong.

For example, like all sensationalist crap-dealers, Mr, Atwill claims to have discovered the secret, super-dooper, hidden code in the text. Amazing! I self-proclaimed “Biblical scholar”, with no formal training in the material, has used his magic decoder ring and stumbled upon a code! How clever of him. He states:

Atwill’s most intriguing discovery came to him while he was studying “Wars of the Jews” by Josephus [the only surviving first-person historical account of first-century Judea] alongside the New Testament. “I started to notice a sequence of parallels between the two texts,” he recounts. “Although it’s been recognised by Christian scholars for centuries that the prophesies of Jesus appear to be fulfilled by what Josephus wrote about in the First Jewish-Roman war, I was seeing dozens more. What seems to have eluded many scholars is that the sequence of events and locations of Jesus ministry are more or less the same as the sequence of events and locations of the military campaign of [Emperor] Titus Flavius as described by Josephus. This is clear evidence of a deliberately constructed pattern. The biography of Jesus is actually constructed, tip to stern, on prior stories, but especially on the biography of a Roman Caesar.”

First, and let me be clear, are there striking similarities between Josephus and the Gospel of Luke? Yes, there are. Steven Mason, a real scholar, has published an entire volume on the subject called Josephus and the New Testament. Richard Carrier has also written on the subject of the parallels between Josephus and Luke-Acts. Joel Watts, an actual student of Biblical Studies who has done graduate work in the field (unlike Mr. Atwill), has written an academically-published book on some interesting mimetic elements between Mark and Josephus.

The difference between what these scholars have written and what Mr. Atwill have written is threefold: (a) all of them have academic training in Greek, (b) all of them published through an academic press (Carrier is the exception, but he has published academically and is qualified on the subject), (c) None of them make the illogical leap that similarities between Josephus (a Jew) and the Gospels (written by Jewish authors) mean that the Romans did it. In fact it is the same misguided leap that some evangelicals make about God. “We don’t know, ergo ‘God did it’.” Instead, all of these scholars agree that the most rational reason for these similarities is that the Gospel authors had copies of Josephus, or Josephus had copies of the Gospels. This sort of interplay of texts is not new in the ancient world.

Second, notwithstanding this damning evidence against him, Atwill’s premise is quite narrowed and simplistic, demonstrating a critical lack of understanding of the cultural dynamics of Judea in the first century.

"Crap...why didn't we just use psychological warfare against these guys?"

“Crap…why didn’t we just use psychological warfare against these guys?”

There exist over 30 Jewish sects that we know of from the first century, and have some basic understanding of their belief structures. There are some dozens more we just know by name. On top of that, we have to conclude there are perhaps dozens, if not hundreds, more Jewish sects of which we simply have no record. What is so interesting is how incredibly different each sect is from each other.

Despite Atwill’s unlearned claim that the Jewish people were expecting a ‘Warrior messiah’, in truth there is no universal version of a messiah. Even among the same sect, over time, the concept of their messiah would change. In the Dead Sea Scrolls, which Mr. Atwill seems to think he knows so well, the language of the messiah and his purpose changes (in fact at one point, we see two distinct messiahs at once–one a priestly messiah and another a kingly messiah). Some sects did not even expect a messiah at all. Any of the numerous works on messianic expectations published in the last two decades utterly annihilates any claim that Atwill is making about some uniformity in Jewish thought and ritual.

Even logically, his analysis is flawed. If this tactic was used against the Jews, why didn’t the Romans use it against an even greater threat: the Gauls?! The Jewish people were never as serious a threat to the Empire as much as the Gauls were–who sacked Rome twice and destroyed Legions. Atwill never seems to consider how basically incompetent his thesis is in this regard. If the Romans had such success against the Jews using this “psychological warfare” (anachronism alert!! Danger! Danger!), why don’t we see this happening against all of their enemies? It is just so beyond absurd. It really is.

Here is the thing; it may be that Mr. Atwill is completely clueless about this. Maybe he isn’t just trying to scam everyone and sell a bunch of books to a group of gullible people. Maybe he legitimately hasn’t read anything relevant on this subject or any recent scholarship on it.

"What?  'The Romans Invented Jesus'?  What a rip off!"

“What? ‘The Romans Invented Jesus’? What a rip off!”

But that is troubling–would you want to read a science book written by a layperson who hasn’t read a single relevant scientific study? Would you pick up a book on engineering written by someone with a background in computer science, and trust that book enough to build a house based upon its designs? I hope not. I sincerely hope that no one would agree to trust either of these books.

This is the issue with Mr. Atwill. He may sincerely believe he has discovered the secret code off a cereal box with his 3-D glasses he found inside; that doesn’t make him an expert in the subject, it doesn’t make him knowledgeable enough to give lectures on it. It certainly does not make him credible.

Mr. Atwill is just like all the other amateur-Scholar-wannabes who refuse to put in the time and effort to earn a degree in the field, who want to advance their pet theories to sell books and dupe you over. He relies on popular media and the ignorance of the layperson to score points rather than publishing in a credible academic journal or publishing academically. He knows he can’t do that, because he has no clue how academics work, how they think, or what they actually argue on the subject. He might as well claim that Jesus lived on Atlantis, which came from Mars. That theory is about as ridiculous as the notion that Rome invented Jesus.

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Image courtesy of Steve Caruso.

*UPDATE 10-10-13*

You’ll want to check out some additional take-downs:

(Shameless plug): For an academically published volume on the historicity of Jesus (which does not contain wild conspiracy theories), consisting of essays from scholars all over the world (the first such book of its kind to my knowledge), consider my co-edited volume ‘Is This Not the Carpenter?’ The Question of the Historicity of the Figure of Jesus (Sheffield: Equinox/Acumen, 2012/2013).

The Inscription on the Jonah Ossuary Redux and the Shape-Shifting Fish

A lot more has been said on the issue of the Jonah ossuary this week; in fact it has been an interesting few days.  As James McGrath keeps the round-ups alive (here and here; I won’t belabor it by reposting everything here–go to James’ blog for the details), I’ve been contemplating something that has been bothering me that I had completely missed previously.

Dr. James Tabor has made an effort recently to reenforce his belief that there is an inscription in the vessel ‘fish’.  However it seems that every instance a new image is released by his and Simcha’s team, there are startling differences that cause me to raise an eyebrow.  Mark Goodacre blogged about something quite similar last year, but this needs to be demonstrated more thoroughly taking into account more recent events.

1. The Elusive Etruscan Letter and the Stick Man

During the very beginning of the debate over the iconography on the ossuary (fish or vessel?), I wrote a long post in response to Dr. Tabor’s conclusions that the ossuary portrayed the fish spitting out Jonah.  I am sure it still stands up to scrutiny a year later–but it dawned on me recently that I had quoted some pretty interesting dialogue from Dr. Tabor on the part of the fish in which he now claims there exists an inscription.

Back in the first week of March, 2012, Dr. Tabor posted up this bit:

etruscanscreengrab

‘A perfume flask or a fish?’ (http://jamestabor.com/2012/03/03/a-perfume-flask-or-a-fish/) Accessed online: 9-19-13.

And in detail, this specific part of his analysis:

etruscanscreengrab1

Keep this in the back of your mind. That perceived Etruscan letter is a big deal.

To be clear, at this point Dr. Tabor was still using the CGI generated photo as an original photo of the actual ossuary (which turns out was not the case).  In my response to Dr. Tabor, I made note that the misleading image was photoshopped in some way, but I also highlighted the lines of his image:

stickfigure

Image from ‘Some considerations about the iconography on the ossuary’, (http://tomverenna.wordpress.com/2012/03/04/some-considerations-about-the-iconography-on-the-ossuary/) Accessed online: 9-19-13.

I wrote then:

Note how completely ‘unhuman’ the ‘stickfigure’ looks when you isolate the lines (in red) and see what is really there.  Frankly, I’m finding any resemblance to a ‘stickfigure’ to be completely disingenuous.  Also, take note of all the red squares.  Those are repeated notches which indicate to me that this item was not just digitally modified but parts of it were copied and pasted into the image to fill it out.  The left side of one notch in the middle-upper-left of the image has been cut off (and looks like a smudging effect was applied). So how is it that Dr. Tabor expects us to carefully examine this iconography in any detail when the iconography presented is not an accurate representation of what is on the ossuary?

Remember when Simcha and Dr. Tabor were then arguing that this was a stick figure and the ‘head’ of the fish contained an eye?  How adamant were they (specifically Dr. Tabor) about the stick man being spit out of the fish?

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Note the highlighted bit.  Still there as of 9-20-13.

plain stickfigure
So much so did he believe this that it was ‘so plain’! From ‘The fish and the man’ (http://jamestabor.com/2012/03/06/the-fish-and-the-man/); Accessed online: 9-20-13.

I do find it interesting that Dr. Tabor draws attention to the fact that critics “have suddenly move[d] from the ‘tower’ to the perfume flask.”  But then again, the image that had been originally seen by everyone was not oriented correctly–but then, Dr. Tabor can’t really decide if orientation matters or not (Hint: it probably doesn’t if what you want to see is a fish and a stick figure).  Because Dr. Tabor and Simcha have suddenly gone from a “stick man” in a “fish’s head”, and then they said that it was a mix between a “stick man”, “fish’s head” and an “inscription” reading “Jonah”.  How dare they!  But most importantly, that is one impressive shape-shifting fish-stick-man-name!

But this stick figure is so incredibly clear, Dr. Tabor says.  In fact he went to the trouble of posting up a fan drawing of it:

FishJoanImageLined

Again, at this point it was not made clear that this photo was a CGI generated image; probably because at this point in early March, Dr. Tabor and Simcha were still claiming the CGI image was merely “a blowup”. (Refer to evidence here)  It was not until Bob Cargill caught the tells of CGI and called them on it that they made it clear what this was.

Man, just look how clear this is!  So great of Dr. Tabor to highlight the ‘so plainly’ visible stick figure.  Dr. Tabor even makes a point to state the clarity of the stick man a third time:

thirdtimeclaimstickman

Note that Dr. Tabor does not attempt to clarify the fact that this is NOT a real photo of the iconography; he does not qualify that this is just a CGI image. He states, “the stick figure … so clearly has two legs, two arms, with one down and one up….” (ibid)

After this image was exposed as a computer generated image, not an ‘enhancement’, Dr. Tabor produced this image (probably courtesy of his team):

1

Notice what he had inked here and notice what he didn’t have inked at all. The tracing is sloppy and inaccurate. More on this in a moment.

Even in his preliminary report on the subject, he sees a stick figure.

preliminarystickman

The interesting bit is at this point, in early march, no mention of any inscription is found.  Anywhere.  In fact, again, Dr. Tabor doesn’t read anything in Hebrew on this ossuary.  Instead time is given to the Greek inscription on the back of ossuary 5 (not the same ossuary) and that’s it.  Dr. Tabor is thoroughly puzzled by what he initially sees as an Etruscan letter.

A few final notes here:

  1. The original “replica” ossuary and the CGI fabricated image have a connected line well below where it is portrayed as elsewhere or have an unconnected line at the center of the ‘fish head’; this indicates they didn’t see a connection:
    unconnected

    CGI; Green outline and red circle show perfectly that even in their CGI image there is no connection of the “legs”.

    unconnected2

    From “Replica” 1; outline done by Steve Caruso. This replica seems ti highlight the ‘stickman’ with adjoining stick “legs”.

  2. Dr. Tabor especially made note of how “clear” the stick figure was on the ossuary.

But it seems that as time goes on, the fish iconography seems to shift and mold into something that seems remarkably more pliable to Dr. Tabors’ arguments.

2. The Shape-Shifting Fish-na-Man-na-Name-O-Tron!

At the end of March and early April, we see a dynamic shift in argument from the Jesus Discovery team.  A new replica is released (though barely discussed) with very different ‘fish head’ iconography and the startling news that the stick figure was actually serving a double-purpose: he was hiding the inscription YONH (Yonah)!  From Dr. Tabor’s blog:

inscription

How clever! That sneaky little stick figure!  Accessed online: 9-20-13; http://jamestabor.com/2012/04/11/name-of-jonah-encrypted-on-the-jonah-and-the-fish-image/

And this is the accompanying picture provided by Dr. Tabor:

3

Now notice what he inked and what he didn’t. Note how that Etruscan letter became a hey!

A side by side:

SIDEBYSIDE

The difference one month makes, right? That Etruscan character morphed right into that hey. All of a sudden lines start shifting. Pay close attention to the spots that are circled with no lines present.

These photos are interesting because they demonstrate not only a shift in tactics, but a little misleading information.  Bob Cargill and Steve Caruso have done some excellent work demonstrating the glaring inaccuracies and inconsistencies here.

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Click to embiggen. Courtesy of Bob Cargill.

Steve demonstrates the errors here.  The biggest controversy here is the difference between this image and the unedited “raw” image.   Here is what I’ve put together:

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Click to embiggen!

There is just so much happening between these three photos.  So much is lost, so much added, lines are fusing together left and right.  They move and sway and vanish and reappear.  It’s incredible!

This fish is like Martia, the Cameloid shape-shifter from Undiscovered Country!  “Don’t like the stick man? Oh, well, is this a more pleasant form?  Not everyone keeps their genitals in the same place.”

And wouldn’t you know how Dr. Tabor was defending this?  Why, the same way he defended the stick man of course.

On Steve Caruso’s blog post on April 14, last year, Dr. Tabor wrote:

It [the inscription-ed.] is plain as the Aramaic on your face and I think you surely know it.

It is just so plainSo plain.  It is as plain as the Etruscan letter, the stick man, the ‘half-fish’ with handles.  It’s just, so d’uh!  It’s so plain that Dr. Tabor writes just today:

In fact it was obvious enough that Dr. Tabor missed it for months on end.  He missed it during the few months he was investigating the ossuary, he missed it for a few additional months while reviewing photos, while writing his preliminary report.  He made it through just an entire month of blogging, mistaking such a plain and obvious hey as a letter in the Etruscan alphabet.

There are also sketches done of the “Jonah” ossuary by the Jesus Discovery team and it was so plain to see that they included it!  Oh wait, no they didn’t.

1236809_10151621946246338_1161603819_n

Closeup of this image put out by the Jesus Discovery team. Guess what? No YONH!

And isn’t it interesting that the photos and second “replica” used now (in fact featured on the website) are missing extraneous lines that would otherwise obscure and dilute the inscription?  And isn’t it odd that no one seems to be denying that fact?

Conclusion

So to recap: First it is a fish with a stick man, then it’s a fish with a stick man that is also an inscription.  Stick man is so powerful.

145972_1317841461

I feel like I’m watching this. “Pick your own interpretation of the Jonah ossuary!”

What I find most distracting is that Dr. Tabor seems to again be changing tactics!  While initially the inscription was hidden inside the shape shifting stick man, now Dr. Tabor just wants us to forget about the stick man entirely.  He told Mark Goodacre just a few days ago:

taborrecantingstickfigure

“Let’s forget any stick figure”! But Dr. Tabor, it’s so plain! It’s as plain as the Etruscan on your face! Or the serif in the yod? Or the.. well, you get it.

Honestly, maybe it is time for the Jesus Discovery team to abandon the stick man entirely and focus on the inscription.  Clearly that is where Dr. Tabor’s head is at.  So what do we believe?  A stick man?  Not a stick man?  An Etruscan letter?  A hey?  It is interesting that when Dr. Tabor sees something that contradicts his “rock-solid” plain view of a fish and Jonah or a stick man, well, it is just probably a mistake.  He writes:

A closeup view of this area makes it clear that there is certainly no handle remotely resembling that of a vase or amphora but just a couple of stray lines, unconnected to the image, that the engraver might have even made by mistake.

Wait, you mean it shows up in multiple images and resembles items that we have seen on other ossuaries? Oh… oh my…

Well, this is embarrassing…. I just think we should end this on a positive note.  So… take it away Xzibit!

xzibitag036

Pimp My Ossuary edition!

When is a Replica Not a Replica?

replicadef

Following closely on the heels of Professor Puech’s statement that he had been deceived, a statement which must be a major embarrassment for Simcha Jacobovici, Mark Goodacre let out the news that there are, in fact, two separate “Museum Quality” replicas of the so-called ‘Jonah Ossuary’.

Mark writes:

Throughout the discussions of the Talpiot Tomb, right from the first, Simcha Jacobovici, James Tabor and others involved with the “Jesus Discovery” project (website here) have talked about and publicized what they call “the museum quality replica” of ossuary 6 from Talpiot tomb B.  But here’s the curious thing.  It’s not one replica.  There are two different replicas. As far as I am aware — and I think I have read everything — they have never admitted that they produced a second replica to replace the first.  (Please correct me if I am wrong).  And when one notices what changes between the two replicas, there is some cause for concern.

And concludes wth some rather troubling questions:

It may be worth adding that the replica shown to Prof. Puech in the video released last week is clearly Replica 2, which has a version of the “YWNH” inscription that we see above, and not the ambiguous representation of Replica 1…  As we have seen above, it is only Replica 2 that has a representation of the “YWNH” inscription that conforms with the interpretation of those involved in the project.  Did the representation of “YWNH” on Replica 2 influence Prof. Puech’s reading?

But this has led me to question the veracity of the claim that these are even able to be defined as ‘replicas’.  After all, I’ve seen replicas on display.  I even own a replica of a Dead Sea Scroll that I purchased at the Discovery Center a few years ago during their Dead Sea Scroll exhibit.  Replicas represent exactly (to the subtle details) the item they are meant to portray.  Replicas at museums are meant to provide the viewer with an duplicate copy of an item so that the viewer feels like s/he is looking at the actual item, even though it isn’t present.

So when is a replica not a replica?

  • (1) When the “replica” does not exactly match what it is meant to portray.
  • (2) When a “replica” can be changed or altered to fit the subjective interpretations of the owners.

Unfortunately, this seems to be the case with these “Jonah” ossuary “replicas”.  It seems that the first replica was fabricated to make the fish iconography stand out; but when criticism prevailed against it a new one was manufactured that removed some specific iconography and included an inscription that isn’t present in the first.  So how can there be two replicas that contradict each other?  And how can one really know what the ossuary looks like as it has yet to be removed form the tomb?  We’ve already seen the evidence that someone in Simcha’s and James’s team has provided CGI images in place of actual photos in a misleading or unclear manner.  So where does that leave this?

Check out Mark’s post for further details.  I look forward to the hour when James Tabor and Simcha jacobovici remove the claim that these are “replicas”.  They are nothing of the sort.   Who knows if I’ll see that retraction, however; all I may get is name calling. I highly doubt Simcha will want to label me as a ‘Sleeper Agent’ of Christian theology; however time will tell.

The ‘Jonah Ossuary’, Deception, and Word Play

For those who perhaps don’t know or haven’t kept up with recent events this week, James Tabor posted up a blog article highlighting Simcha Jacobovici’s recent award at a ceremony in Cannes.  Initially, James had posted that this was an award won at the Cannes Film Festival.  But this isn’t the case.  In fact, as Daniel McClellan highlighted in a recent blog post, the award was actually won at the Cannes Corporate Media & TV Awards.  These are two separate events, the prestigious one (the Cannes International Film Festival) took place in May and Simcha did not win any awards in that festival:

The ceremony awards multiple trophies in each category to film makers who nominate themselves at a modest €250. Their motto is “Establishing the world’s standard for corporate films since 2010.” This year there are a total of 120 awards chosen from 719 submissions. No word on how many submissions there were for the “Science & Knowledge” category, but there was only one trophy awarded in the category last year.

The issue seemed to be that James had deceptively claimed the award was delivered to Simcha from the other, more prestigious festival–one that would ultimately deliver additional credibility to a project that has suffered from a lack of tenability since the very first press release.

Following Daniel’s article, the title of James’ post was changed:

changingtides

The original blog post vs. the modified one. Notice how James corrected the title for clarity (which we thank him for) and corrected the spelling of Prof. Puech’s name.

James, after growing defensive and making some rather odd comments about feeling attacked, has stated that he mistakenly put ‘Festival’ there instead of ‘Gala’ which was the actual ceremony (and it wasn’t a ‘festival’ at all); I was more than willing to let this go and accept James’ statement at face-value.  There was no need to presume he was purposefully being deceptive.  But I did raise the issue that James has made similar moves before–(1) that he had done some rather specious things in the past, (2) claimed he didn’t, (3) and then later recanted (but not always granting credit when due):

I think the issue that Bob is highlighting is that you have a history of changing things on your blogs and in your articles when they are corrected–which I think is admirable–but without giving proper attribution to those scholars or critics who may have suggested those corrections. I recall Mark Goodacre bringing this issue up when you relabeled ossuaries in your Bible and Interpretation article without giving him due attribution. I believe you have adjusted the orientation of the CGI’d image what what I believe to be an amphora (you call it a fish) on your blog as well without giving credit to the fact that Bob Cargill originally called out the fact that the orientation was wrong and misleading.

He argued this point however:

Well your memory fails you Tom. I have no such history.  …And I do indeed gratefully acknowledge Mark’s sharp eye. I also thank Cargill for his suggestion of the relabeling of the CGI. The orientation of the fish was presented correctly in our book (you have a copy), our press conference in NY the day the discovery was announced, and in my initial blog posts on Talpiot. I even wrote posts about why the fish is pointed downwards, which would make no sense if I thought it was horizontal. Remember all that discussion on ASOR about the “upside-down tower” on the very day of the book release. The PDF at bibleinterp.com had it printed wrong, because the vertical would not fit the page, but we corrected that immediately once it was noticed.

But how accurate is this claim?  Has my memory failed me?  Well, no, it hasn’t.  I’m a little shocked with James’ claims above as it can easily be demonstrated that only after James and Simcha were challenged on various items did they make changes.  It can also easily be shown that all of the challenges made had direct impact on the claims that he and SImcha were making about the ossuaries and Talpiot B.  I’ll leave it to the reader to decide if these were intentional deceptions or honest mistakes.

First, let us consider the orientation of the fish.

As Steve Caruso noted last year, the orientation from the very start had been incorrectly displayed in the press releases:

From page 42 of the original press release. Notice that the iconography is sideways with some catacomb art of a fish ejecting Jonah from its mouth; they are clearly meant to be interpretive and intimate that they are meant to represent the same image: Jonah and the fish .

But when additional images came out, critical reviewers noted the rotation of the image was misleading and challenged James and Simcha over it.  So what happened?  Steve again provides the answer:

Second issue of page 42 of the press release, I believe changed by James Tabor; note that the image is not reoriented correctly and the image of the so-called “museum quality replica” (which is actually not a replica–just a good quality interpretation of what Simcha and James argue is on the actual ossurary) is added above it.

What is also clear is that the language used in the press release is misleading.  Notice that James calls the initial side-ways iconography a ‘blowup’ of the image.  If you think that this is just enlarged from an original photograph, you would be wrong.  But that is precisely the impression that is given with the language that is used.  On the second draft, it is again labeled as a “closeup’ the image, But this isn’t the case at all.  In fact Steve Caruso and Bob Cargill both demonstrated beyond all doubt that the image used in the press release was in fact a CGI generated image (or at best a CGI composite image which is not really much different):

Unfaithful-detail-00-problem-areas

Steve Caruso highlights manipulation evidence.

Steve notes that the following items were immediately evident:

  • Adding an additional line of ornamentation.
  • Reconstructing an entire “fin” of the fish.
  • Removal of borders.
  • Stitching artefacts between frames that were of differing perspective.
  • Cloning artefacts where details of the inscription were copied down in more than one place.

Bob Cargill also noted some rather damnable evidence against the images authenticity as well:

tabor_fig20_vs_21_inverted

Bob Cargill highlights the evidence.

Bob notes:

An object covering the right side of the supposed “tail fin” (marked as “Digitally Removed” in the upper right corner of Fig. 20 above) is present in Fig. 20, but suddenly absent in Tabor’s Fig. 21. On p. 83 of the Jesus Discovery book, this object is identified as another ossuary (#5) that is “jammed up against it so closely we were unable to see its full decorated façade.” In Fig. 21 above, Ossuary #5 been digitally removed and the right portion of the “tail fin” has been digitally generated using a Photoshop process called “clone stamping.” This is evidenced by the fact that it appears darker than the rest of the “fin.” Likewise, the dark shadow that appears down the right side of the “tail fin” in Fig. 21 may be explained as the unintended result of the process of cloning and creating that portion of the “fin,” as there is a dark spot present in Fig. 20 at the intersection of the right side of the image and Ossuary #5. The shadow is the result of cloning that dark spot up along right side of the “tail fin.”

Whether this ambiguous language was used to decieve others into thinking it was the original, real image, again, I leave it up to the readers to decide.  But the question is raised: why is the rotation of the fish so important?  James and Simcha have been arguing from the start that this is in fact an image of Jonah and the fish–but all known (and confirmed) images of Jonah and the fish in art in during the first few Christian centuries (in fact about every image ever presented of Jonah and the fish) has the fish at a horizontal angle releasing Jonah from his mouth onto the land.  The fish is never presented vertically.  When the image was shown horizontally, it appeared to make their claims about the iconography that much stronger; when the image was rotated to its correct orientation, vertically, the whole argument melted away.  But James can’t even seem to decide for himself whether rotation matters (courtesy of Dan McClellan for the catch):

jamestaborcontradiction1

Click to embiggen. I’m not sure in what way James feels that the orientation of the iconography is both crucial to his case but also unimportant. More on this below.

I won’t belabor this article with the fact that almost every scholar who has seen the vertical image now thinks it is clearly an amphora vessel and not a fish (since images of vessels were extremely common on ossuaries and it looks like a vessel), but it seemed to have some impact on the question of orientation.  After all, if it doesn’t matter that the image was vertical or horizontal, why is it that the fish was presented in its wrong orientation from the start?  And why would the website for the discovery still contain a sideways oriented image in the logo?

To this day, as of 1:24PM EST, this image is still on their website.

But it doesn’t end with this image.  There is also the ‘fish in the margins’.  Bob Cargill has an exemplary post where he exposes these little ‘fish’ as ovals that have been manipulated with digital ink to give the misleading appearance of ‘fish’.  It is possible that perhaps they were doing the digital ink in a very dark room and added fish tails to these ovals accidentally.  It’s possible.  Although it seems like a pretty convenient thing, portraying fish in the margins, so to keep the ‘theme’ that the main image was a ‘fish’ and would therefore be ‘Jonah and the fish’.  Again, I leave it for the reader to decide (these are all courtesy of Bob Cargill–link above):

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Original image from the website.

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Close-up and actual enlargement. Notice the overlap.

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original, un-inked image shows absolutely no overlap.

actual_fish_vs_inked_fish2

Side by side.

So much so did Simcha and James see ‘fish in the margins’ that they incorporated actual ichthoi fish in their ‘museum quality replica’ (which is precisely why it isn’t a ‘replica’):

Fish-Where-They-Arent

Courtesy of Steve Caruso.

As Steve noted (as did many of us):

Images on The Jesus Discovery website originally showed these “fish in the margins” with digital ink over them to make them “clearer.” However, once criticism mounted, the original image was taken down from the website completely.

Two additional images replaced the original.  One with inked lines (still with added tails in ink) and one without ink, where no tails are visible.

There is more image manipulation as well, but Steve and Bob handle it so well, I won’t go into it here (just follow the links above, along with this and this for further evidence of additional manipulation elsewhere).

But there is the yet the final issue of my claim that James does not always give credit to those who have offered critical perspectives that have forced him to change his work.  One such example is with Mark Goodacre.

Mark wrote a spectacular piece illuminating some mislabeled ossuaries in the film and on the website.  James was gracious enough to accept this, but then changed his article without attributing to Mark the discovery, which Mark mentions in this post (see update labeled ‘Friday’).  To my knowledge James has not updated his preliminary report to reflect that Mark was the one who made the observation (though he did make a note on his personal blog).   He certainly hasn’t given any impression on his recent blog that he had corrected it to reflect a more accurate presentation of Simcha’s award.

So let’s take a look again at James’ claims to me:

  • James has a history of changing things without proper citations or attributions to those who instigated the change.
  • Adjusted orientation on images related to the ossuary.
  • There were some misleading things that happened that James has been called out on previously.

All of this is pretty demonstrable.   I’ll leave you, dear reader, with a final thought on these particular matters.  James writes on his blog:

No photos on the web site have been taken down, altered, manipulated, or otherwise adjusted. When our web person is in the process of arranging or uploading new photos the site remains live so it might appear to a visitor, for a very short time, that this or that has been taken down or added, but everything is up that we put up on February 28th, with more photos now added.

What do you think, reader?  Is this statement accurate?  Has my memory really failed me?  One must wonder why, after making all of those changes and all those adjustments to his original work, James would claim that in fact nothing was changed at all.  It does raise some alarming implications in my mind.  But as I have said throughout this blog, I leave the final word to you.

In all of this I want to be clear that I’ve only ever had high regards for James.  But we all make mistakes–and we have to take responsibility for them.  I’ve made my share of mistakes and I’ve tried to account for them as best as I can.  But when a scholar claims that asking for clarity is ‘out in left field’ and ‘absurd’, I am a little concerned.  This blog highlights periods of time when James has not been clear or forthcoming; the language in his work and on the website he runs is misleading or persuasive (in the wrong way).  We all have to take responsibility for what we write, what we say; James knows this well as I’m sure he demands this of his students.

I suspect James will read this and I hope he follows through with his word that he will listen and try to accommodate criticism as best as he can.  Time will tell.

Did the Ancient Jews Practice Crucifixion?

Last night during one of our class discussions on the historical Jesus, the question came up over crucifixion; someone had made the claim that only the Romans had practiced it.  But is that really the case?  Were the Romans really the only people in antiquity to use crucifixion as a form of punishment?  Well, actually, no.

First, crucifixion was not necessarily standardized.  The Greek word used in the New Testament, for example, to explain Jesus’ death is σταυρός (and cognates, e.g., Mark 16.6; ἐσταυρωμένον) which literally meant a ‘stake’, with which to impale someone.  This process could be done in a variety of ways and according to written tradition, some Roman rulers did experiment with all sorts of manners of crucifying their enemies.  It is important though that the two basic elements generally remain the same: the plank(s) or beam(s) of wood and something with which to impale the flesh (nails, hooks, etc…).  It was certainly a gruesome event.

Yet despite the overwhelmingly negative attitude that the Jewish people had towards crucifixion, it seems to have been something that was practiced by Jews at various times in the history of Judea.  Most notably were the crucifixions under the King of Judea, Alexander Jannaeus, in the1st Century BCE.  Following his victories against opponents (specifically Demetrius) to his rule, he crucified 800 of his enemies.  This practice is memorialized in Josephus and also in the Dead Sea Scrolls (it has also been argued that the crucifixion under Jannaeus of his enemies was looked at favorably by those who wrote the Pesher Nahum–Specifically Y. Yadin, ‘Pesher Nahum (4Q pNahum) Reconsidered’, Israel Exploration Journal , Vol. 21, No. 1 [1971], pp. 1-12).

There was also a Rabbinic punishment of crucifying bodies of those stoned to death for committing blasphemy (i.e., Sanhedrin 6.4n-q); the law specifies that planks of wood be used to hang up the bodies, apparently like slabs of meat–so presumably the body would be impaled to the plank.

Of course, hanging for punishment was not new.  In the Hebrew Bible, those guilty of a crime could be hung from a ‘tree’ (In the LXX, ‘tree’ is from ξύλον; specifically, ‘plank/beam of wood’–also found in Acts 5.30) and was considered acceptable to god, so long as the body was taken down that same day (this is the basis of the law found in the Talmud).  Normally, though, the process would not involve a living person (until Alexander Jannaeus), but in the Hebrew Bible (cf. 2 Sam 18), Absalom is found hanging by a tree alive, and is then pierced to death by three spears through the heart (which would quite literally be considered a crucifixion–fastened to a tree by his hair and he was impaled by spears) before he is beset upon by soldiers who further inflict more damage.

So it seems clear to me that the Jews of the period were not only familiar with the process of crucifixion before the Romans (the Persians also practiced crucifixion long before the Romans), but even practiced it as a form of punishment from time to time.  See further D.J Halperin, ‘Crucifixion, the Nahum Pesher and the Rabbinic Penalty of Crucifixion,’ The Journal of Jewish Studies 32 (1981), 32-46, esp. 44; and J.A. Fitzmyer, ‘Crucifixion in Ancient Palestine, Qumran Literature, and the New Testament’, Catholic Bible Quarterly 40 (1978), 493-513

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